Shortlisted for the Best Translated Book Award
Longlisted for the Believer Book Award
Longlisted for the Warwick Prize for Women in Translation
A Los Angeles Times Bestseller
The English-language debut of an exciting young voice in international fiction, selling 660,000 copies in Japan alone, Convenience Store Woman is a bewitching portrayal of contemporary Japan through the eyes of a single woman who fits into the rigidity of its work culture only too well.
The English-language debut of one of Japan’s most talented contemporary writers, selling over 650,000 copies there, Convenience Store Woman is the heartwarming and surprising story of thirty-six-year-old Tokyo resident Keiko Furukura. Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction—many are laid out line by line in the store’s manual—and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…
A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.
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Perseus Publishing)
The English-language debut of an exciting young voice in international fiction, selling 660,000 copies in Japan alone, Convenience Store Woman is a bewitching portrayal of contemporary Japan through the eyes of a single woman who fits in to the rigidity of its work culture only too well - (Perseus Publishing)
Sayaka Murata is the author of many books, including Convenience Store Woman, winner of Japan’s most prestigious literary award, the Akutagawa Prize. She used to work part-time in a convenience store, which inspired this novel. Murata has been named a Freeman’s “Future of New Writing” author, and her work has appeared in Granta and elsewhere. In 2016, Vogue Japan selected her as a Woman of the Year.
Ginny Tapley Takemori has translated works by more than a dozen Japanese writers, including Ryu Murakami. She lives at the foot of a mountain in Eastern Japan.
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Perseus Publishing)
My present self is formed almost completely of the people around me. I am currently made up of 30 percent Mrs. Izumi, 30 percent Sugawara, 20 percent the manager, and the rest absorbed from past colleagues such as Sasaki, who left six months ago, and Okasaki, who was our supervisor until a year ago.
My speech is especially inflected by everyone around me and is currently a mix of that of Mrs. Izumi and Sugawara. I think the same goes for most people. When some of Sugawara’s band members came into the store recently they all dressed and spoke just like her. After Mrs. Izumi came, Sasaki started sounding just like her when she said, “Good job, see you tomorrow!” Once a woman who had gotten on well with Mrs. Izumi at her previous store came to help out, and she dressed so much like Mrs. Izumi I almost mistook the two. And I probably infect others with the way I speak too. Infecting each other like this is how we maintain ourselves as human is what I think.
Outside work Mrs. Izumi is rather flashy, but she dresses the way normal women in their thirties do, so I take cues from the brand of shoes she wears and the label of the coats in her locker. Once she left her makeup bag lying around in the back room and I took a peek inside and made a note of the cosmetics she uses. People would notice if I copied her exactly, though, so what I do is read blogs by people who wear the same clothes she does and go for the other brands of clothes and kinds of shawls they talk about buying. Mrs. Izumi’s clothes, accessories, and hairstyles always strike me as the model of what a woman in her thirties should be wearing.
As we were chatting in the back room, her gaze suddenly fell on the ballet flats I was wearing. “Oh, those shoes are from that shop in Omotesando, aren’t they? I like that place too. I have some boots from there.” In the back room she speaks in a languid drawl, the end of her words slightly drawn out. I bought these flats after checking the brand name of the shoes she wears for work while she was in the toilet.
Booklist Reviews
*Starred Review* In nursery school, Keiko pragmatically suggested that the dead bird in the park could become a grilled treat for her father. In primary school, she ended a forbidden brawl by hitting a boy on the head with a spade. She stopped a teacher's hysterics by yanking down her skirt and knickers. Despite having "a normal family," Keiko "was a rather strange child" who learned quiet detachment to avoid further trouble. At 18, she is "reborn as a convenience store worker" at a newly opened Smile Mart. Donning a uniform, learning the manual, and mimicking her coworkers enable Keiko to become "a normal cog in society." Eighteen years later, she remains a top-performing employee, comfortably aware that being a part-time convenience worker "is the only way she can be a normal person." At 36, however, her being a single woman in a dead-end job elicits worry and judgment from family and acquaintances. To deflect unwanted meddling, Keiko "adopts" an arrogant wastrel with both comical and bittersweet results. The prestigious Akutagawa Prize–winning Murata, herself a part-time "convenience store woman," makes a dazzling English-language debut in a crisp translation by Takemori, rich in scathingly entertaining observations on identity, perspective, and the suffocating hypocrisy of "normal" society. Copyright 2018 Booklist Reviews.
Library Journal Reviews
Murata here makes her English-language debut with this 2016 winner of Japan's prestigious Akutagawa Prize. It offers a spare recounting of the life of 36-year-old Keiko Furukawa, a single woman who has worked part-time in a convenience store for exactly half her life. Perceived since childhood as not being "normal" by those around her, Keiko describes how her work at the Smile Mart convenience store brings her a sense of rebirth, allowing her to connect minimally with coworkers and even Miho, a friend with whom she became reacquainted after attending an alumni reunion. Daily life is comfortable and routine for Keiko until she encounters Shiraha, a former Smile Mart employee who was let go owing to his own peculiar behavior. Murata's writing, nicely rendered by Takemori's translation, uses the characters of Keiko and Shiraha to deliver a thought-provoking commentary on the meaning of conforming to the expectations of society. VERDICT While Murata's novel focuses on life in Japanese culture, her storytelling will resonate with all people and experiences. A solid selection for most fiction audiences and fodder for book group discussions.—Shirley Quan, Orange Cty. P.L., Santa Ana, CA
Copyright 2018 Library Journal.
Publishers Weekly Reviews
Murata's slim and stunning Akutagawa Prize–winning novel follows 36-year-old Keiko Furukura, who has been working at the same convenience store for the last 18 years, outlasting eight managers and countless customers and coworkers. Keiko, who has a history of strange impulses—wanting to grill and eat a dead bird, pulling down a hysterical teacher's pants to get her to be quiet—applied to work at the Hiiromachi Station Smile Mart on a whim. Where someone else might find the expected behavior for convenience store workers arbitrary and strict, Keiko thrives under such clear direction, finally finding a way to be normal. In fact, she thinks of herself as two Keikos: her real self, who has existed since she was born, and "convenience-store-worker-me." But normalcy is not static, as Keiko discovers. The older she gets, and the further she drifts from milestones like having a "real" job, marrying, and having children, the more her friends and family push her towards change. She strikes a sham marriage deal with a lazy and shifty ex-coworker, which, though it finally makes her "normal" in the eyes of others, throws her entire life and psyche into turmoil. Murata's smart and sly novel, her English-language debut, is a critique of the expectations and restrictions placed on single women in their 30s. This is a moving, funny, and unsettling story about how to be a "functioning adult" in today's world. Agent: Kohei Hattori, the English Agency. (June)
Copyright 2018 Publishers Weekly.
